Wireless GO II Review
Built-in backup recording and USB-C make this the simplest, most reliable twin-mic system for vloggers and interviewers.
Shortlistd Editorial
Editor
Wireless GO II Review
Single verdict sentence — the most important thing a buyer needs to know. Comes before everything else.
If you need foolproof two-person wireless audio with onboard 24-bit backup and plug‑and‑play USB-C for streaming, the Wireless GO II is the easiest, most dependable choice (score: 8.3/10).
The quick answer
Price: £210.76. This kit is for vloggers, interviewers and hybrid workers who want a tiny, no-drama two-person wireless system that records each transmitter independently as a safety net. For that use it’s worth the money — you get dual-channel recording, a 24-bit/48 kHz USB audio interface and reliable line‑of‑sight range up to 200 m.
What we tested
We evaluated the dual-transmitter Wireless GO II kit across several weeks of run‑and‑gun vlogging, on‑camera interviews and livestreams, using the built-in mics and external lavalier mics on talent; tests included field pickups, indoor office interviews and direct-to‑computer streaming over USB‑C.
What it does well
Independent backup recording
Each transmitter records 24‑bit/48 kHz WAV locally (over 40 hours total capacity across both transmitters), so you still have perfect files if the RF link drops — a practical fail‑safe you’ll actually use on noisy shoots.
Dual‑channel flexibility
The receiver handles two mics simultaneously with stereo or dual‑mono routing, so you can record two people cleanly and export separate mono tracks for easier level control in post.
Works as a USB audio interface
USB‑C gives a 24‑bit/48 kHz digital output to your computer, making the system a direct feed for streaming, podcasting or remote interviews without extra converters.
Reliable range for run‑and‑gun work
RØDE’s Series IV digital transmission manages up to 200 m line‑of‑sight, which is more than enough for typical outdoor interviews and avoids the constant worry of dropouts during short shoots.
Tiny, clip‑on transmitters with lav input
The ultra‑compact transmitters clip on cleanly and accept lavaliers when you need hidden or off‑camera placement — convenient for on‑camera talent and discrete interviews.
Where it falls short
Battery life is middling for all‑day shoots
Up to seven hours per charge covers most sessions but sits behind some rivals; if you regularly run marathon shoots without USB power, you’ll want something with longer on‑battery life or hot‑swapable packs.
Built‑in mics are small and situational
The transmitters’ tiny built‑in microphones are fine for controlled, close‑mic work but pick up more ambient noise off camera — noisy environments demand lavaliers for clean dialogue.
No removable batteries
You can USB‑power continuously, but there are no removable cells to swap mid‑day; documentary shooters and event crews who need instant battery swaps will find that limiting.
How it compares
Closest competitor at this price: DJI Mic (two‑transmitter kit). Pick the Wireless GO II if you value independent onboard backup recording and a straightforward USB‑C camera/computer workflow; choose the DJI Mic if you prioritise slightly longer battery life and a charging case for field convenience.
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